Why Antislavery Poetry Matters Now 🔍
Brian Yothers
Camden House, Studies in American literature and culture, Rochester, New York, 2023
英语 [en] · PDF · 18.0MB · 2023 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history.
The poetry of the transatlantic abolitionist movement represented a powerful alliance across racial and religious boundaries; today it challenges the demarcation in literary studies between cultural and aesthetic approaches. Now is a particularly apt moment for its study. This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history. Poetry that speaks to a broad cross-section of society with moral authority, intellectual ambition, and artistic complexity mattered in the fraught years of the mid nineteenth century; Brian Yothers argues that it can and must matter today.
Yothers examines antislavery poetry in light of recent work by historians, scholars in literary, cultural, and rhetorical studies, African-Americanists, scholars of race and gender studies, and theorists of poetics. That interdisciplinary sweep is mirrored by the range of writers he considers: from the canonical - Whitman, Barrett Browning, Beecher Stowe, DuBois, Melville - to those whose influence has faded - Longfellow, Lydia Huntley Sigourney, John Pierpont, John Greenleaf Whittier, James Russell Lowell - to African American writers whose work has been recovered in recent decades - James M. Whitfield, William Wells Brown, George Moses Horton, Frances E. W. Harper.
The poetry of the transatlantic abolitionist movement represented a powerful alliance across racial and religious boundaries; today it challenges the demarcation in literary studies between cultural and aesthetic approaches. Now is a particularly apt moment for its study. This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history. Poetry that speaks to a broad cross-section of society with moral authority, intellectual ambition, and artistic complexity mattered in the fraught years of the mid nineteenth century; Brian Yothers argues that it can and must matter today.
Yothers examines antislavery poetry in light of recent work by historians, scholars in literary, cultural, and rhetorical studies, African-Americanists, scholars of race and gender studies, and theorists of poetics. That interdisciplinary sweep is mirrored by the range of writers he considers: from the canonical - Whitman, Barrett Browning, Beecher Stowe, DuBois, Melville - to those whose influence has faded - Longfellow, Lydia Huntley Sigourney, John Pierpont, John Greenleaf Whittier, James Russell Lowell - to African American writers whose work has been recovered in recent decades - James M. Whitfield, William Wells Brown, George Moses Horton, Frances E. W. Harper.
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lgli/Why Antislavery Poetry Matters.pdf
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lgrsnf/Why Antislavery Poetry Matters.pdf
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zlib/no-category/Brian Yothers/Why Antislavery Poetry Matters Now_26178496.pdf
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Boydell & Brewer, Incorporated
备用版本
Boydell & Brewer, Rochester, New York, 2023
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United States, United States of America
元数据中的注释
{"isbns":["1640140697","9781640140691"],"last_page":308,"publisher":"Camden House","series":"Studies in American Literature and Culture"}
备用描述
"The poetry of the transatlantic abolitionist movement represented a powerful alliance across racial and religious boundaries; today it challenges the demarcation in literary studies between cultural and aesthetic approaches. Now is a particularly apt moment for its study. This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history. Poetry that speaks to a broad cross-section of society with moral authority, intellectual ambition, and artistic complexity mattered in the fraught years of the mid nineteenth century; Brian Yothers argues that it can and must matter today. Yothers historicizes the poetry he examines in light of recent work by historians, scholars in literary, cultural, and rhetorical studies, political scientists, sociologists, African-Americanists, scholars of race and gender studies, and theorists of poetics. That interdisciplinary sweep is mirrored by the range of writers he considers: from the canonical--Whitman, Barrett Browning, Beecher Stowe, DuBois, Melville--to those whose influence has faded--Longfellow, Lydia Huntley Sigourney, John Pierpont, John Greenleaf Whittier, Thomas Wentworth Higginson, James Russell Lowell--to African American writers whose work has been recently rediscovered--James M. Whitfield, William Wells Brown, George Moses Horton, Frances E.W. Harper"-- Provided by publisher
备用描述
Front Cover
Contents
Illustrations
Acknowledgments
Introduction: Present Valor
1: Anglo-American Poetry, the Transatlantic Slave Trade, and the Haitian Revolution in United States Poetry
2: Antislavery Poetry in Public: George Moses Horton, John Pierpont, and Henry Wadsworth Longfellow
3: Witness against Slavery: John Greenleaf Whittier, William Wells Brown, and Lydia Huntley Sigourney
4: Present Valor and the Trauma of Slavery: James Russell Lowell and Elizabeth Barrett Browning
5: Frances E. W. Harper and Harriet Beecher Stowe: Preaching, Poetry, and Pedagogy
6: Aspects of America: James M. Whitfield, Herman Melville, and Walt Whitman
Epilogue: W. E. B. DuBois and the Legacy of Antislavery Verse
Works Cited
Index
Contents
Illustrations
Acknowledgments
Introduction: Present Valor
1: Anglo-American Poetry, the Transatlantic Slave Trade, and the Haitian Revolution in United States Poetry
2: Antislavery Poetry in Public: George Moses Horton, John Pierpont, and Henry Wadsworth Longfellow
3: Witness against Slavery: John Greenleaf Whittier, William Wells Brown, and Lydia Huntley Sigourney
4: Present Valor and the Trauma of Slavery: James Russell Lowell and Elizabeth Barrett Browning
5: Frances E. W. Harper and Harriet Beecher Stowe: Preaching, Poetry, and Pedagogy
6: Aspects of America: James M. Whitfield, Herman Melville, and Walt Whitman
Epilogue: W. E. B. DuBois and the Legacy of Antislavery Verse
Works Cited
Index
开源日期
2023-09-17
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