Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of “civilization versus barbary,” which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity—a mestizo or culturally mixed identity—that went against the state compulsion for a racially pure identity. This mestizaje was signified not only in Argentina’s literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts.
Caught between the Lines focuses on borders and mestizaje (both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation.
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Review
“An outstanding book. The subject of the captive is deeply embedded in the Argentine imagination, and Carlos Riobó reveals its every nuance, from nineteenth-century myths of national racial purity to the re-identification of all its components during the Perón era. A book like this can only be the product of a great teacher who has labored to make his subject attractive to undergraduates. With this book Riobó has established a niche for himself: it sets a professional standard.”—Alfred Mac Adam, professor of Spanish at Barnard College, Columbia University
About the Author
Carlos Riobó is a professor of Spanish and comparative literature at the City College of New York and the Graduate Center–CUNY. He is the author of Sub-Versions of the Archive: Manuel Puig’s and Severo Sarduy’s Alternative Identities .

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Riobó, Carlos;

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United States, United States of America

Illustrated, DE, 2019

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<div><em>Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of "civilization versus barbary," which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity-a mestizo or culturally mixed identity-that went against the state compulsion for a racially pure identity. This <em>mestizaje was signified not only in Argentina's literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts.<br> <br> <em>Caught between the Lines focuses on borders and <em>mestizaje (both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation. <br>

Cover 1
Title Page 4
Copyright Page 5
Contents 6
List of Illustrations 8
Acknowledgments 10
1. A National Trope 16
2. Crossing Borders 36
3. Ambivalent Histories 60
4. Captives in Argentine Literature 86
5. Virtue-al Representations 122
Notes 150
Bibliography 174
Index 186

2025-10-27