Musicophilia : tales of music and the brain / Oliver Sacks. 🔍
Sacks, Oliver, 1933-2015.
Alfred A. Knopf, 2007., 5th printing, New York, USA, New York State, October 16, 2007
英语 [en] · ZIP · 0.4MB · 2007 · 📗 未知类型的图书 · 🚀/duxiu/hathi · Save
描述
NATIONAL BESTSELLER • With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition.“Powerful and compassionate.... A book that not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind.” —The New York Times In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music. Illuminating, inspiring, and utterly unforgettable.
备选标题
Musicophillia: Tales of Music and the Brain
备选标题
Musical hallucinations
备选作者
Oliver W. Sacks
备选作者
by Oliver Sacks
备用出版商
Knopf [Imprint];Knopf Doubleday Publishing Group;Random House, Incorporated [Distributor]
备用出版商
Knopf Canada [Imprint];Knopf Canada;Random House of Canada, Limited [Distributor]
备用出版商
Alfred A. Knopf Books for Young Readers
备用出版商
Listening Library, Incorporated
备用出版商
Random House AudioBooks
备用出版商
Vintage Books
备用版本
First Edition, New York, USA, October 16, 2007
备用版本
16th printing, New York, USA, October 16, 2007
备用版本
7th printing, New York, USA, October 16, 2007
备用版本
Penguin Random House LLC, New York, 2008
备用版本
United States, United States of America
备用版本
Business book summary, New York, 2008
备用版本
A borzoi book, New York, 2007
备用版本
1st ed, New York, 2007
元数据中的注释
类型: 图书
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出版日期: 2007
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出版社: Alfred A. Knopf
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摘要: ... a range of musicality ; Things fall apart : amusia and dysharmonia ; Papa blows his nose in...
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出版社: Knopf [Imprint];Knopf Doubleday Publishing Group;Random House, Incorporated [Distributor]
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页码: 400
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开本: USD 26.00
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价格: 08.500x05.240
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出版日期: 2008.09
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出版社: Knopf Doubleday Publishing Group
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开本: 85
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出版社: Knopf Canada [Imprint];Knopf Canada;Random House of Canada, Limited [Distributor]
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开本: CND 34.95
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价格: 08.500x05.750
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Includes bibliographical references (p. ) and index.
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A Bozoi Book
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topic: Music-Psychological aspects; Music-Physiological aspects
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Type: 英文图书
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Bookmarks:
1. (p1) Preface
2. (p2) Part I: Haunted by Music
2.1. (p3) 1. A Bolt from the Blue: Sudden Musicophilia
2.2. (p4) 2. A Strangely Familiar Feeling: Musical Seizures
2.3. (p5) 3. Fear of Music: Musicogenic Epilepsy
2.4. (p6) 4. Music on the Brain: Imagery and Imagination
2.5. (p7) 5. Brainworms, Sticky Music, and Catchy Tunes
2.6. (p8) 6. Musical Hallucinations
3. (p9) Part II: A Range of Musicality
3.1. (p10) 7. Sense and Sensibility: A Range of Musicality
3.2. (p11) 8. Things Fall Apart: Amusia and Dysharmonia
3.3. (p12) 9. Papa Blows His Nose in G: Absolute Pitch
3.4. (p13) 10. Pitch Imperfect: Cochlear Amusia
3.5. (p14) 11. In Living Stereo: Why We Have Two Ears
3.6. (p15) 12. Two Thousand Operas: Musical Savants
3.7. (p16) 13. An Auditory World: Music and Blindness
3.8. (p17) 14. The Key of Clear Green: Synesthesia and Music
4. (p18) Part III: Memory, Movement, and Music
4.1. (p19) 15. In the Moment: Music and Amnesia
4.2. (p20) 16. Speech and Song: Aphasia and Music Therapy
4.3. (p21) 17. Accidental Davening: Dyskinesia and Cantillation
4.4. (p22) 18. Come Together: Music and Tourette's Syndrome
4.5. (p23) 19. Keeping Time: Rhythm and Movement
4.6. (p24) 20. Kinetic Melody: Parkinson's Disease and Music Therapy
4.7. (p25) 21. Phantom Fingers: The Case of the One- Armed Pianist
4.8. (p26) 22. Athletes of the Small Muscles: Musician's Dystonia
5. (p27) Part IV: Emotion, Identity, and Music
5.1. (p28) 23. Awake and Asleep: Musical Dreams
5.2. (p29) 24. Seduction and Indifference
5.3. (p30) 25. Lamentations: Music and Depression
5.4. (p31) 26. The Case of Harry S.: Music and Emotion
5.5. (p32) 27. Irrepressible: Music and the Temporal Lobes
5.6. (p33) 28. A Hypermusical Species: Williams Syndrome
5.7. (p34) 29. Music and Identity: Dementia and Music Therapy
6. (p35) Acknowledgments
7. (p36) Bibliography
8. (p37) Index
1. (p1) Preface
2. (p2) Part I: Haunted by Music
2.1. (p3) 1. A Bolt from the Blue: Sudden Musicophilia
2.2. (p4) 2. A Strangely Familiar Feeling: Musical Seizures
2.3. (p5) 3. Fear of Music: Musicogenic Epilepsy
2.4. (p6) 4. Music on the Brain: Imagery and Imagination
2.5. (p7) 5. Brainworms, Sticky Music, and Catchy Tunes
2.6. (p8) 6. Musical Hallucinations
3. (p9) Part II: A Range of Musicality
3.1. (p10) 7. Sense and Sensibility: A Range of Musicality
3.2. (p11) 8. Things Fall Apart: Amusia and Dysharmonia
3.3. (p12) 9. Papa Blows His Nose in G: Absolute Pitch
3.4. (p13) 10. Pitch Imperfect: Cochlear Amusia
3.5. (p14) 11. In Living Stereo: Why We Have Two Ears
3.6. (p15) 12. Two Thousand Operas: Musical Savants
3.7. (p16) 13. An Auditory World: Music and Blindness
3.8. (p17) 14. The Key of Clear Green: Synesthesia and Music
4. (p18) Part III: Memory, Movement, and Music
4.1. (p19) 15. In the Moment: Music and Amnesia
4.2. (p20) 16. Speech and Song: Aphasia and Music Therapy
4.3. (p21) 17. Accidental Davening: Dyskinesia and Cantillation
4.4. (p22) 18. Come Together: Music and Tourette's Syndrome
4.5. (p23) 19. Keeping Time: Rhythm and Movement
4.6. (p24) 20. Kinetic Melody: Parkinson's Disease and Music Therapy
4.7. (p25) 21. Phantom Fingers: The Case of the One- Armed Pianist
4.8. (p26) 22. Athletes of the Small Muscles: Musician's Dystonia
5. (p27) Part IV: Emotion, Identity, and Music
5.1. (p28) 23. Awake and Asleep: Musical Dreams
5.2. (p29) 24. Seduction and Indifference
5.3. (p30) 25. Lamentations: Music and Depression
5.4. (p31) 26. The Case of Harry S.: Music and Emotion
5.5. (p32) 27. Irrepressible: Music and the Temporal Lobes
5.6. (p33) 28. A Hypermusical Species: Williams Syndrome
5.7. (p34) 29. Music and Identity: Dementia and Music Therapy
6. (p35) Acknowledgments
7. (p36) Bibliography
8. (p37) Index
元数据中的注释
theme: Music-Psychological aspects; Music-Physiological aspects
备用描述
Music Can Move Us To The Heights Or Depths Of Emotion. It Can Persuade Us To Buy Something, Or Remind Us Of Our First Date. It Can Lift Us Out Of Depression When Nothing Else Can. It Can Get Us Dancing To Its Beat. But The Power Of Music Goes Much, Much Further. Indeed, Music Occupies More Areas Of Our Brain Than Language Does--humans Are A Musical Species. Oliver Sacks's Compassionate, Compelling Tales Of People Struggling To Adapt To Different Neurological Conditions Have Fundamentally Changed The Way We Think Of Our Own Brains, And Of The Human Experience. Here, He Examines The Powers Of Music Through The Individual Experiences Of Patients, Musicians, And Everyday People. Music Is Irresistible, Haunting, And Unforgettable, And Oliver Sacks Tells Us Why.--from Publisher Description. Haunted By Music. A Bolt From The Blue : Sudden Musicophilia ; A Strangely Familiar Feeling : Musical Seizures ; Fear Of Music : Musicogenic Epilepsy ; Music On The Brain : Imagery And Imagination ; Brainworms, Sticky Music And Catchy Tunes ; Musical Hallucinations -- A Range Of Musicality. Sense And Sensibility : A Range Of Musicality ; Things Fall Apart : Amusia And Dysharmonia ; Papa Blows His Nose In G : Absolute Pitch ; Pitch Imperfect : Cochlear Amusia ; In Living Stereo : Why We Have Two Ears ; Two Thousand Operas : Musical Savants ; An Auditory World : Music And Blindness ; The Key Of Clear Green : Synesthesia And Music -- Memory, Movement, And Music. In The Moment : Music And Amnesia ; Speech And Song : Aphasia And Music Therapy ; Accidental Davening : Dyskinesia And Cantillation ; Come Together : Music And Tourette's Syndrome ; Keeping Time : Rhythm And Movement ; Kinetic Melody: Parkinson's Disease And Music Therapy -- Phantom Fingers: The Case Of The One-armed Pianist ; Athletes Of The Small Muscles : Musician's Dystonia -- Emotion, Identity, And Music. Awake And Asleep : Musical Dreams ; Seduction And Indifference ; Lamentations : Music And Depression ; The Case Of Harry S. : Music And Emotion ; Irrepressible : Music And The Temporal Lobes ; A Hypermusical Species : Williams Syndrome ; Music And Identity : Dementia And Music Therapy. Oliver Sacks. Includes Bibliographical References (p. 353-367) And Index.
备用描述
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
([source][1])
[1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
([source][1])
[1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/
备用描述
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat._ But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does—humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people—from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds—for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people—from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds—for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
备用描述
Haunted by music. A bolt from the blue : sudden musicophilia ; A strangely familiar feeling : musical seizures ; Fear of music : musicogenic epilepsy ; Music on the brain : imagery and imagination ; Brain worms, sticky music and catchy tunes ; Musical hallucinations --
A range of musicality. Sense and sensibility : a range of musicality ; Things fall apart : amusia and dysharmonia ; Papa blows his nose in G : absolute pitch ; Pitch imperfect : cochlear amusia ; In living stereo : why we have two ears ; Two thousand operas : musical savants ; An auditory world : music and blindness ; The key of clear green : synesthesia and music --
Memory, movement, and music. In the moment : music and amnesia ; Speech and song : asphia and music therapy ; Accidental davening : dyskinesia and cantillation ; Come together : music and Tourette's syndrome ; Keeping time : rhythm and movement ; Kinetic melody: parkinson's disease and music therapy ; Phantom fingers: the case of the one-armed pianist ; Athletes of the small muscles : musician's dystonia --
Emotion, identity, and music. Awake and asleep : musical dreams ; Seduction and indiference ; Lamentations : music and depression ; The case of Harry S. : music and emotion ; Irrepressible : music and the temporal lobes ; A hypermusical species : Williams syndrome ; Music and identity : dementia and music therapy.
A range of musicality. Sense and sensibility : a range of musicality ; Things fall apart : amusia and dysharmonia ; Papa blows his nose in G : absolute pitch ; Pitch imperfect : cochlear amusia ; In living stereo : why we have two ears ; Two thousand operas : musical savants ; An auditory world : music and blindness ; The key of clear green : synesthesia and music --
Memory, movement, and music. In the moment : music and amnesia ; Speech and song : asphia and music therapy ; Accidental davening : dyskinesia and cantillation ; Come together : music and Tourette's syndrome ; Keeping time : rhythm and movement ; Kinetic melody: parkinson's disease and music therapy ; Phantom fingers: the case of the one-armed pianist ; Athletes of the small muscles : musician's dystonia --
Emotion, identity, and music. Awake and asleep : musical dreams ; Seduction and indiference ; Lamentations : music and depression ; The case of Harry S. : music and emotion ; Irrepressible : music and the temporal lobes ; A hypermusical species : Williams syndrome ; Music and identity : dementia and music therapy.
备用描述
Haunted by music. A bolt from the blue : sudden musicophilia ; A strangely familiar feeling : musical seizures ; Fear of music : musicogenic epilepsy ; Music on the brain : imagery and imagination ; Brain worms, sticky music and catchy tunes ; Musical hallucinations
A range of musicality. Sense and sensibility : a range of musicality ; Things fall apart : amusia and dysharmonia ; Papa blows his nose in G : absolute pitch ; Pitch imperfect : cochlear amusia ; In living stereo : why we have two ears ; Two thousand operas : musical savants ; An auditory world : musicality and blindness ; The key of clear green : synesthesia and music
Memory, movement, and music. In the moment : music and amnesia ; Speech and song : music therapy and aphasia ; Accidental davening : dyskinesia and cantillation ; Touch heaven : music and Tourette's syndrome ; Keeping time : rhythm and movement ; Kinetic melody: music therapy and parkinson's disease
Phantom fingers: the case of the one-armed pianist ; Athletes of the small muscles : musician's dystonia
Emotion, identity, and music. Awake and asleep : musical dreams ; Indifference to music ; Lamentations : music and depression ; The case of Harry S. : music and emotion ; Irrepressible : music and the temporal lobes ; A hypermusical species : Williams syndrome ; Music and identity : music therapy and dementia.
A range of musicality. Sense and sensibility : a range of musicality ; Things fall apart : amusia and dysharmonia ; Papa blows his nose in G : absolute pitch ; Pitch imperfect : cochlear amusia ; In living stereo : why we have two ears ; Two thousand operas : musical savants ; An auditory world : musicality and blindness ; The key of clear green : synesthesia and music
Memory, movement, and music. In the moment : music and amnesia ; Speech and song : music therapy and aphasia ; Accidental davening : dyskinesia and cantillation ; Touch heaven : music and Tourette's syndrome ; Keeping time : rhythm and movement ; Kinetic melody: music therapy and parkinson's disease
Phantom fingers: the case of the one-armed pianist ; Athletes of the small muscles : musician's dystonia
Emotion, identity, and music. Awake and asleep : musical dreams ; Indifference to music ; Lamentations : music and depression ; The case of Harry S. : music and emotion ; Irrepressible : music and the temporal lobes ; A hypermusical species : Williams syndrome ; Music and identity : music therapy and dementia.
备用描述
With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls musical misalignments. Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with amusia, to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music. Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks latest masterpiece.
备用描述
Drawing on the individual experiences of patients, musicians, composers, and ordinary people, the author explores the complex human response to music, and how music can affect those suffering from a variety of ailments.
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