The End of the American Avant Garde: American Social Experience Series (American Social Experience Series; 37) 🔍
Hobbs, Stuart D. New York University Press ; University Presses Marketing, New York University Press, New York, 1997
英语 [en] · PDF · 13.4MB · 1997 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
描述
1 online resource (244 pages), \"By 1966, the composer Virgil Thomson would write, \"Truth is, there is no avant-garde today.\" How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture, and the institutional world of art, Cover; Title Page; Copyright Page; Contents; Acknowledgments; PART I Toward the Last American Vanguard 1930-1955; CHAPTER 1 Introduction: The Avant Garde and the Culture of the Future; CHAPTER 2 The Communist Party, Modernism, and the Avant Garde; PART II The American Avant Garde 1945-1960; CHAPTER 3 Alienation; CHAPTER 4 Innovation; CHAPTER 5 The Future; PART III The End of the Avant Garde 1950-1965; CHAPTER 6 The Cold War, Cultural Radicalism, and the Defense of Capitalism; CHAPTER 7 Institutional Enthrallment; CHAPTER 8 Consumer Culture Commodification, PART IV The End of the Avant Garde 1965-1995CHAPTER 9 The Convention of Innovation and the End of the Future; Notes; Bibliographical Essay; Index, Print version record
备用文件名
ia/endofamericanava0000hobb_u6a6.pdf
备选标题
The End of the American Avant Garde (The American Social Experience)
备选作者
Stuart Dale Hobbs
备用版本
American social experience series, 37, New York, Wantage, 2000
备用版本
American social experience series, New York, ©1997
备用版本
United States, United States of America
备用版本
First Edition, US, 2000
备用版本
First Printing, 2000
备用版本
January 1, 2000
备用描述
<p><p>"Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s."<p><i>--American Historical Review</i><p>"A significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture."<p><i>--Choice</i><p>"By 1966, the composer Virgil Thomson would write, "Truth is, there is no avant-garde today." How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture, and the institutional world of art.<p><br></p><h3>American Historical Review</h3><p>Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s.</p>
开源日期
2023-06-28
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