Rossini and Post-Napoleonic Europe (Eastman Studies in Music, 126)

lgli/Warren Roberts - Rossini and Post-Napoleonic Europe (2018, ).mobi

Rossini and Post-Napoleonic Europe (Eastman Studies in Music, 126) 🔍

Warren E. Roberts, Warren E. University of Rochester Press, Eastman studies in music, Rochester, NY, 2015

英语 [en] · 西班牙语 [es] · MOBI · 1.6MB · 2015 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

描述

Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe.
This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using the techniques of the historian,and reading librettos as texts, the author analyzes the five operas treated in detail in the book (Il barbiere di Siviglia, Cenerentola, La gazza ladra, Matilde di Shabran, and Il viaggio a Reims) as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity.
Warren Roberts is Professor Emeritusof History at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture.

备用文件名

zlib/no-category/Warren Roberts/Rossini and Post-Napoleonic Europe_17342491.mobi

备选作者

Warren Errol Roberts

备用出版商

Boydell & Brewer, Incorporated

备用版本

United States, United States of America

备用版本

Boydell & Brewer, Rochester, NY, 2015

备用版本

2018

元数据中的注释

lg2304684

备用描述

This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using the techniques of the historian, and reading librettos as texts, the author analyzes the five operas treated in detail in the book ('Il barbiere di Siviglia', 'Cenerentola', 'La gazza ladra', 'Matilde di Shabran', and 'Il viaggio a Reims') as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity. Warren Roberts is professor emeritus of history at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture

开源日期

2021-09-17

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