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zlib/no-category/Theodore Karp/Aspects of orality and formularity in Gregorian chant_122546895.pdf
Aspects of orality and formularity in Gregorian chant 🔍
Theodore Karp Northwestern University Press, Evanston, Ill, Illinois, 1998
英语 [en] · PDF · 45.0MB · 1998 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
描述
Includes bibliographical references (p. 455-465) and indexes.
备用文件名
ia/aspectsoforality00karp.pdf
备用出版商
Ill. : Northeastern University Press
备用出版商
Marlboro Press, The
备用出版商
TriQuarterly Books
备用出版商
Hydra Books
备用版本
United States, United States of America
备用版本
Evanston, Ill, c 1998
备用版本
1, 1998
元数据中的注释
Includes bibliographical references (p. 455-465) and indexes.
备用描述
Aspects of Orality and Formularity in Gregorian Chant is a milestone publication in the study of medieval monophonic music. In its movement away from the concept of chants as products and toward the idea of chants as processes, it will markedly change accepted ways of thinking about this musical form.The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chant circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant. Throughout, Karp uses 202 musical examples.The first essay evaluates forms of evidence that may shed light on the nature of orality that led to the surviving notational records of Gregorian chant and assembles evidence that supports the conclusion that fidelity of transmission represented an important goal of the Franks. The second essay treats formulas that cross the boundaries of individual liturgical genres and modes. The third essay defines the varying kinds of musical formulas in chant and proposes a chronological ordering of the genre of second-mode tracts.The fourth essay treats the transmission of a stable melody and explores the ways in which one basic melody may be adapted to texts of widely differing structures and lengths. The fifth essay deals with a group of unstable melodies that furnished difficulties in modal classification. The sixth essay explores the problems faced by scribes seeking to represent in diastematic notation melodies employing tones not normally admitted into the medieval gamut. The seventh essay takes up the role of the formula in introits, a neumatic genre intended forchoral performance.The two final essays look at second-mode tracts and at the interrelationship between Roman and Gregorian chant.
开源日期
2023-06-28
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