Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare whom critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting).

nexusstc/Misrepresentations: Shakespeare and the Materialists/b24bc930a6dcd425f1315bae78ded403.pdf

lgli/10.7591_9781501722301.pdf

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zlib/no-category/Graham Bradshaw/Misrepresentations: Shakespeare and the Materialists_25968390.pdf

Graham Bradshaw

Mario Einaudi Center for International Studies, Cornell University

Lightning Source Inc. (Tier 3), Ithaca, 1993

United States, United States of America

Ithaca, NY, 2018

Ithaca, 2011

2, 20180705

degruyter.com

producers:
iTextSharp 5.0.6 (c) 1T3XT BVBA

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Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare that critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). In writing on Henry V, Othello, The Tempest, and The Merchant of Venice, Bradshaw probes the complex dramatic thinking behind the plays. He is much concerned with Shakespeare's "dramatic rhyming," the manner in which different parts of the plays are brought to bear on one another within a complex design. Branching out from these readings, he shows how frequently politicized materialist readings expose and contradict one another in their partial and opportunistic samplings of Shakespeare's texts. Bradshaw argues that the plays can help us to historicize our present, if we allow them to test - instead of using them to "instantiate"--Our cherished theories. Far more than elegant nay-saying, Misrepresentations moves toward a rich new conceptualization of cultural poetics, one responsive to our present critical situation and to the intricate designs of Shakespeare's poetic drama

Contents
Acknowledgments
A Note on the Text
PROLOGUE. Is Shakespeare Evil
CHAPTER ONE. Being Oneself: New Historicists, Cultural Materialists, and Henry V
CHAPTER TWO. Dramatic Intentions: Two-Timing in Shakespeare's Venice
EPILOGUE. The New Historicist as Iago
APPENDIX. Dashing Othello's Spirits
Notes
Index

2023-08-23