Art Periodical Culture In Late Imperial Russia (1898-1917). Print Modernism In Transition Offers A Detailed Exploration Of The Major Modernist Art Periodicals In Late Imperial Russia, The World Of Art (mir Iskusstva, 1899-1904), The Golden Fleece (zolotoe Runo, 1906-1909) And Apollo (apollon, 1909-1917). By Exploring The Role Of Art Reproduction In The Nineteenth Century And The Emergence Of These Innovative Art Journals In The Turn Of The Century, Hanna Chuchvaha Proves That These Modernist Periodicals Advanced The Russian Graphic Arts And Reinforced The Development Of Reproduction Technologies And The Art Of Printing. Offering A Detailed Examination Of The Inaugural Issues, Which Included Editorial Positions Expressed In Words And Images, Hanna Chuchvaha Analyses The Periodicals' Ideologies And Explores Journals As Art Objects Appearing In Their Unique Socio-historical Context In Imperial Russia.-- Introduction. The Materiality Of The Book And Gerard Genette's Thresholds ; Word-image Intermediality ; Art Journals In The Cultural Context And Structure Of The Book -- When Russia Learned To Reproduce Art. Early Russian Periodical Design ; The Popular Illustrated Press In The Nineteenth Century ; Art Periodicals In Imperial Russia ; The Age Of Mechanical Reproduction In Russia: Reproduction Techniques In Historical Perspective ; The Periodical Personalised: Cover Pages And Binding ; The Periodical Press And Censorship -- World Of Art And The Origins Of The Print Revival In Late Imperial Russia. The World Of Art In Scholarship ; Emergence Of The World Of Art In The Cultural-historical Context ; The Art Periodical Press Before The World Of Art: Art And Art Industry ; Abramtsevo And Talashkino, The Arts And Crafts Movement ; The Modern Style ; The Circle Of Art-lovers And The Emergence Of The World Of Art ; Vladimir Stasov Vs. Sergei Diaghilev ; Editorial Board: Sergei Diaghilev Vs. Alexandre Benois And Other Participants Of The World Of Art ; The Patrons Of The World Of Art And The Journal's Closure ; The Editorial Mission Statement ; The World Of Art And Its Paratextual Qualities: Materiality And The Visual In The Context Of The Editorial Mission Statement And Other Texts ; A European Type Journal ; The Title And Logo. By Hanna Chuchvaha. Includes Bibliographical References (pages 264-289) And Index.

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Chuchvaha, Hanna

Library of the written word -- volume 44, Industrial world -- volume 5, Library of the written word -- 44., Library of the written word -- v. 5., Leiden, Boston, Netherlands, 2016

Library of the written word -- vol. 44, The industrial world -- vol. 5, Leiden, Boston, Netherlands, 2016

Library of the written word (Print), Leiden, 2016

Library of the Written Word, 2015

Illustrated, PS, 2015

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Includes bibliographical references.

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Библиогр.: с. 264-289

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Art Periodical Culture in Late Imperial Russia (1898–1917):
Print Modernism in Transition 4
Copyright 5
Dedication 6
Contents 8
Acknowledgements 12
List of Figures 14
Introduction 20
The Materiality of the Book and Gérard Genette’s “Thresholds” 27
Word-Image Intermediality 31
Art Journals in the Cultural Context and Structure of the Book 33
1: When Russia Learned to Reproduce Art 37
Early Russian Periodical Design 37
The Popular Illustrated Press in the Nineteenth Century 39
Art Periodicals in Imperial Russia 44
The “Age of Mechanical Reproduction” in Russia: Reproduction Techniques in Historical Perspective 53
The Periodical Personalised: Cover Pages and Binding 62
The Periodical Press and Censorship 67
Conclusion 69
2: World of Art and the Origins of the Print Revival in Late Imperial Russia 70
The World of Art in Scholarship 72
Emergence of the World of Art in the Cultural-Historical Context 74
The Art Periodical Press before the World of Art: Art and Art Industry 75
Abramtsevo and Talashkino, the Arts and Crafts Movement 80
The Modern Style 85
The “Circle” of Art-Lovers and the Emergence of the World of Art 87
Vladimir Stasov vs. Sergei Diaghilev 91
Editorial Board: Sergei Diaghilev vs. Alexandre Benois and Other Participants of the World of Art 93
The Patrons of the World of Art and the Journal’s Closure 96
The Editorial Mission Statement 99
The World of Art and its Paratextual Qualities: Materiality and the Visual in the Context of the Editorial Mission Statement and Other Texts 104
A European Type Journal 104
The Title and Logo 109
The Cover Page 112
Graphic Design and Art Reproduction: Abramtsevo and Viktor Vasnetsov in the World of Art 115
Toward Europeanism 124
Viewing vs. Reading: Word-Image Intermediality 130
Conclusion 134
3: The Golden Fleece or Russia’s “Très Riches Heures” 136
The Golden Fleece in Scholarship 139
The Golden Fleece: The Art-Historical Context 141
The Russian Art Periodical Press after the World of Art 141
Nikolai Riabushinskii: Publisher, Editor-in-chief and Art Patron 142
Main Contributors 146
The Bilingual Presentation of Russian Cosmopolitanism 147
The Editorial Statement 152
Reception of the Journal by Contemporaries 156
The Golden Fleece: the Paratextual Dimension 159
Extravagance in the ‘Time of Troubles’: From ‘Materialism’ to Materiality’ 159
The Title: Meaning and Sources 163
The Cover Page: Visual Sources and Symbolism 170
The Art Reproductions 176
The World of Art in The Golden Fleece: Graphic Design and Illustration 180
Symbolist Illustration 187
Conclusion 205
4: Apollo: Between “Archaism” and Modernism 207
Apollo in Scholarship 209
Contextual Preconditions for Apollo: Classical Revival Tendencies and the New Paradigm for Book Art 211
Classical Revival: the Term 211
Sergei Makovskii and the Birth of Apollo 214
Apollo’s Contributors: Creating a Group Identity 219
Apollonian / Dionysian 223
“In Expectation of the Hymn to Apollo” 225
Dance: the Apollonian Gesamtkunstwerk 227
Art as Theurgy 230
Apollonian Satire: “The Bees and Wasps of Apollo” 232
Articulating a Paradigm for Book Art: Alexandre Benois’s “The Objectives of Graphic Art” 234
Apollo and its Textual and Paratextual Standards: Materiality, Archeology of the Visual and Apollonianism 240
Materiality, the Title and the Cover Page 240
The Title Page: Connecting Greek Archaism with Modernism 246
The Russian Cretan Quest and the Origins of Archaism 248
The “Archeological” Meaning of the Title Page 251
Art Reproductions 259
Apollo’s Graphic Design and its “Architectural” Meaning 263
Illustrations in the Literary Almanac 270
Conclusion 276
Conclusion 278
Glossary of Terms 282
Bibliography 283
Primary Sources 283
List of Selected Illustrated Magazines and Art Periodicals published in the Nineteenth Century 283
List of Selected Art Periodicals published in the Twentieth Century 283
Secondary Sources 284
Index 309

Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the inaugural issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals' ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.-- Provided by Publisher

Art periodical culture in late imperial Russia (1898-1917). Print modernism in transition' offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproductions in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the "inaugural" issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals' ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia

2025-10-27