Product Description King Solomon's Mines , by H. Rider Haggard , is part of the Barnes & Noble Classics   series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics :
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. One of the best-selling novels of the nineteenth century, King Solomon’s Mines has inspired dozens of adventure stories, including Edgar Rice Burroughs’s Tarzan books and the Indiana Jones movies. Vivid and enormously action-packed, H. Rider Haggard’s tale of danger and discovery continues to shock and thrill, as it has since it was first presented to the public and heralded as “the most amazing book ever written.”
The story begins when renowned safari hunter Allan Quartermain agrees to help Sir Henry Curtis and Captain John Good search for King Solomon’s legendary cache of diamonds. Eager to find out what is true, what is myth, and what is really buried in the darkness of the mines, the tireless adventurers delve into the Sahara’s treacherous Veil of Sand, where they stumble upon a mysterious lost tribe of African warriors. Finding themselves in deadly peril from that country’s cruel king and the evil sorceress who conspires behind his throne, the explorers escape, but what they seek could be the most savage trap of all—the forbidden, impenetrable, and spectacular King Solomon’s Mines.
Benjamin Ivry is the author of biographies of Arthur Rimbaud, Francis Poulenc, and Maurice Ravel. His poetry collection Paradise for the Portuguese Queen appeared in 1998.
Excerpt. © Reprinted by permission. All rights reserved. From Benjamin Ivry’s Introduction to King Solomon’s Mines
Haggard admitted he wrote King Solomon’s Mines in six weeks, a quickness that surprised his writer friends like Andrew Lang and Robert Louis Stevenson. The latter sent Haggard a letter cautioning him about excessive haste. Yet the famed Belgian-born detective storywriter Georges Simenon (1903–1989) often wrote entire books even faster. The French novelist Stendhal (Marie Henri Beyle, 1783–1842) typically completed novels in a matter of weeks. Speed in writing per se is not necessarily a threat to quality; adventure writers in particular can be like the journalists of whom the noted critic Karl Kraus (1874–1936) wrote, “They write worse when they have time.” Pacing was essential for Haggard, who claimed that writing a text fast helped to energize it, making it irresistibly readable. He described his approach with typical dash in his autobiography, The Days of My Life (1926; see “For Further Reading”): “Such work should be written rapidly and, if possible, not rewritten, since wine of this character loses its bouquet when it is poured from glass to glass.”
The speed of writing translates to speed of reading, with as few impediments as possible to the reader’s momentum. Although there are a number of exotic words in King Solomon’s Mines that require annotation, their frequency decreases as the book advances, and Haggard often provides his own, perfectly serviceable translation of local terms. As a result, the reader does not need to pause to understand the reference, but can plunge ahead to find out what happens next, which is essential for the enjoyment of a real page-turner like King Solomon’s Mines.
Despite Haggard’s speed and occasional carelessness about details, King Solomon’s Mines shows some real control of structural and stylistic elements, which is part of its lasting power. To cite one stylistic aspect used coherently throughout the book, Haggard used italics almost always to convey the horror of death, such as when an elephant picked up a servant “_and tore him in two_” (p. 62). In a cave discovered along his trip, Quatermain finds that a servant who was alive the night before is now “_stone dead_” (p. 96). These italics denoting urgent shock in relation to death recur throughout the story, like underlining in a letter excitedly dashed off to a friend.
One of Haggard’s goals, as expressed in “About Fiction” (_Contemporary Review_, February 1887), was to create an interesting book, as he felt the Anglo-American novel had declined into a series of dull domestic dramas. Haggard alluded to William Dean Howells (1837–1920), who wrote novels like A Woman’s Reason (1883), A Modern Instance (1882), and The Rise of Silas Lapham (1885), as an example. By focusing on the imaginative and fantastic domains, Haggard aimed at exciting the reader in the way that he felt naturalistic nineteenth-century fiction had ceased to do. In this goal he succeeded brilliantly, as generations of readers have conceded.
In King Solomon’s Mines, with a dour feeling of fatalism, the elephant hunter Allan Quatermain agrees to join a dangerous treasure hunt. Quatermain is presented as an amateur author, whose first statement at the beginning of the book is one of modesty, of being aware of his book’s “shortcomings.” As narrator, Quatermain dithers over lore and legends that he might have included in King Solomon’s Mines had he “given way to [his] own impulses” (p. 5). Authorship as a form of discipline and control is also expressed at the end of the story, when Quatermain announces, “And here, at this point, I think that I shall end this history” (p. 317). The reader is reminded that the story does not end by itself; the writer ends it. Control and consciousness were keywords for Quatermain as an author—and quite possibly for Haggard as well.
Haggard’s protagonist Quatermain describes himself as a 55-year-old man who has survived the job of elephant hunter much longer than most of his colleagues. Quatermain explains at the start of his tale, “I am a timid man, and don’t like violence,” (p. 7) and near the end, after many heroics, he reiterates, “I never had any great pretensions to be brave” (p. 286). Such self-definitions are repeated throughout the book until the narrative itself begins to seem like a means of self-definition. The effort to write, as well as the events narrated, define the narrator.
There may not be much progression of character in King Solomon’s Mines , but Quatermain rings true precisely because of his lack of grandiose pretensions. Quatermain’s self-deflating tone may include something of Haggard’s own ironic self-regard. When Haggard traveled to Africa in 1914 and his photo was plastered on the local newspaper Natal Witness , Haggard noted in his diary that his image looked “exactly like that of the mummy of Rameses the Second,” a recently disinterred Pharaoh. This lack of vanity or vaingloriousness is unusual in a generation of writers on Africa that included such egomaniacs as Sir Richard Burton, translator of The Arabian Nights .

motw/King Solomon's Mines - H. Rider Haggard.epub

lgli/L:\bib\H. Rider Haggard\King Solomon's Mines (Barnes & Noble Cla (26652)\King Solomon's Mines (Barnes & Noble Cla - H. Rider Haggard.epub

lgrsfic/L:\bib\H. Rider Haggard\King Solomon's Mines (Barnes & Noble Cla (26652)\King Solomon's Mines (Barnes & Noble Cla - H. Rider Haggard.epub

zlib/Fiction/Adventure Stories & Action/H Rider Haggard/King Solomon's Mines_1639072.epub

introduction and notes by Benjamin Ivry, H. Rider Haggard

H. Rider Haggard; Benjamin Ivry; Benjamin Ivry

Michael Friedman Publishing Group, Incorporated

Barnes & Noble Classics

Fine Communications

TOR

United States, United States of America

Barnes & Noble Classics, 2004

Barnes & Noble Classics, 2009

Allan Quartermain, 1, 2011

New York, N.Y, c1998

Special Value, 2004

November 25, 2004

New York, ©2004

New York, 2013

May 2000

lg_fict_id_413372

Memory of the World Librarian: Quintus

<i>King Solomon's Mines</i>, by <b>H. Rider Haggard</b>, is part of the <i>Barnes &amp; Noble Classics</i> series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of <i>Barnes &amp; Noble Classics</i>:
<ul>
<li>New introductions commissioned from today's top writers and scholars</li>
<li>Biographies of the authors</li>
<li>Chronologies of contemporary historical, biographical, and cultural events</li>
<li>Footnotes and endnotes</li>
<li>Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work</li>
<li>Comments by other famous authors</li>
<li>Study questions to challenge the reader's viewpoints and expectations</li>
<li>Bibliographies for further reading</li>
<li>Indices &amp; Glossaries, when appropriate</li>
</ul>
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. <i>Barnes &amp; Noble Classics</i> pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.<br>
<br>

<p>One of the best-selling novels of the nineteenth century, <i>King Solomon’s Mines</i> has inspired dozens of adventure stories, including Edgar Rice Burroughs’s Tarzan books and the Indiana Jones movies. Vivid and enormously action-packed, H. Rider Haggard’s tale of danger and discovery continues to shock and thrill, as it has since it was first presented to the public and heralded as “the most amazing book ever written.”<br>
<br>
The story begins when renowned safari hunter Allan Quartermain agrees to help Sir Henry Curtis and Captain John Good search for King Solomon’s legendary cache of diamonds. Eager to find out what is true, what is myth, and what is really buried in the darkness of the mines, the tireless adventurers delve into the Sahara’s treacherous Veil of Sand, where they stumble upon a mysterious lost tribe of African warriors. Finding themselves in deadly peril from that country’s cruel king and the evil sorceress who conspires behind his throne, the explorers escape, but what they seek could be the most savage trap of all—the forbidden, impenetrable, and spectacular King Solomon’s Mines.<br>
<br>
</p>
<p><b>Benjamin Ivry</b> is the author of biographies of Arthur Rimbaud, Francis Poulenc, and Maurice Ravel. His poetry collection <i>Paradise for the Portuguese Queen</i> appeared in 1998.</p>
<p><br>
</p>

King Solomon’s Mines was published in September 1885, becoming an immediate best seller by tapping into people’s excitement for the unknown: in this case, the unexplored regions of Africa.
(https://standardebooks.org/ebooks/h-rider-haggard) Haggard wrote the novel in a very short period, between six and sixteen months, on a bet with his brother to try to match (https://standardebooks.org/ebooks/robert-louis-stevenson) Robert Louis Stevenson’s (https://standardebooks.org/ebooks/robert-louis-stevenson/treasure-island) Treasure Island . In the process he created a new literary genre known as the “Lost World” genre, which would later influence other writers like (https://standardebooks.org/ebooks/arthur-conan-doyle) Arthur Conan Doyle and (https://standardebooks.org/ebooks/h-p-lovecraft) H. P. Lovecraft .
The book tells the tale of Allan Quatermain, an adventurer and hunter, who is approached by Sir Henry Curtis and Captain Good to help them find Curtis’ lost brother, who went missing while trying to find the fabled King Solomon’s Mines.
This book has spawned multiple adaptations in the form of movies, comics, and TV shows.

The story begins when renowned safari hunter Allan Quatermain agrees to help Sir Henry Curtis and Captain John Good search for King Solomon's legendary cache of diamonds. Eager to find out what is tru, whit is myth, and what is really buried in the darkness of the mines, the tireless adventurers delve into the Sahara's treacherous Veil of Sand, where they stumble upon a mysterious lost tribe of African warriors. Finding themselves in deadly peril from that country's cruel king and the evil sorceress who conspires behind his throne, the explorers escape, but what they seek could be the most savage trap of all--the forbidden, impenetrable, and spectacular King Solomon's Mines

2011-11-04