Aphex Twin's Selected Ambient Works Volume II 🔍
Weidenbaum, Marc Bloomsbury Publishing Inc., 33 1/3, v. 90, New York, 2016, ©2014
英语 [en] · EPUB · 0.6MB · 2014 · 📘 非小说类图书 · 🚀/lgli/lgrs/upload/zlib · Save
描述
Extravagantly opaque, willfully vaporous Aphex Twins Selected Ambient Works Volume II , released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was his first full length on Sire Records (home to Madonna and Depeche Mode), which helped usher in Richard D. James, for whom Aphex Twin is but one of numerous monikers, as a major force in music, electronic or otherwise.
Faithful to Brian Enos definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineer its fragile textures for performance on acoustic instruments. Simultaneously, ambient has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beat-less, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.
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lgli/R:\0day\eng\2015-01-02\33 1-3 - 090 - Aphex Twin's Selected Ambient Works Volume II - Marc Weidenbaum (epub).epub
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lgrsfic/R:\0day\eng\2015-01-02\33 1-3 - 090 - Aphex Twin's Selected Ambient Works Volume II - Marc Weidenbaum (epub).epub
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lgli/33 1-3 - 090 - Aphex Twin's Selected Ambient Works Volume II - Marc Weidenbaum (epub)
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zlib/Arts/Music/Weidenbaum Marc/Aphex Twin's Selected Ambient Works Volume II_4004362.epub
备选标题
Aphex Twins Selected Ambient Works

33 13
备选标题
Selected ambient works. Volume 2 / Marc Weidenbaum
备选标题
Aphex Twin's Selected Ambient Works, Vol. 2
备选作者
Marc Weidenbaum
备用出版商
Continuum International Publishing Group, Limited
备用出版商
Bloomsbury Academic & Professional
备用出版商
Continuum Publishing Corporation
备用出版商
Bloomsbury Publishing USA
备用版本
United States, United States of America
备用版本
33 1/3, New York, New York, 2014
备用版本
1, 20140213
备用版本
FR, 2014
元数据中的注释
lg_fict_id_1285494
备用描述
"Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, "ambient" has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes." -- Publisher's description
备用描述
"Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes."--Bloomsbury Publishing
开源日期
2015-12-07
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